Move over Jane Austen, there are new “It Girls” in town. After getting their fill of the witty, drawing-room banter of impoverished spinsters with no prospects in the Regency period, readers and viewers are ready for the lusty power plays of spirited wealthy heiresses and socially manipulative dowager countesses and their secret sidekicks, butlers and ladies’ maids. In short – it's a whole new century!
Imagine an American Jane Austen writing about 19th century America, but more tragic than comic, and with a strangely helpless man at its center – and there you have Edith Wharton’s The Age of Innocence. Like Ms. Austen’s novels, Ms. Wharton’s work is focused on the mores and manners of the aristocracy.
Kathy, Ruth, and Tommy grow up in what appears to be an idyllic English boarding school – but not everything is what it seems. The children at this school are groomed for a specific and special purpose. They are genetically engineered clones, bred to end their lives as organ donors for the rest of the population.
What scares you most about yourself? Is it the other person you hide just beneath your facade? The one you pretend doesn’t exist – the one capable of performing acts you could never commit on your own? That primeval fear is confronted in Stephen King’s new book, Full Dark, No Stars.
Talk about synchronicity. When I decided that I was going to re-read James Baldwin’s The Fire Next Time for the Library’s Building Bridges Book Club, I already happened to be reading Henry Louis Gates’ Thirteen Ways of Looking at a Black Man, a collection of profiles of prominent African-American men.