Live by the automobile. Die by the automobile. That’s Christopher Leinberger’s mantra. He has become convinced that the means by which we get around determines what our cities look like.
“I’m interested in art that speaks to the public, that takes on the political life of its moment,” says Justin Wolff, author of a new book about the life of the great Missouri artist Thomas Hart Benton.
During the winter months Paul Benson holes up in his conservation studio atop the Nelson-Atkins Museum of Art. But beginning in April he packs up his tools and heads out to the fresh air and sunshine. It’s fountain-fixing time.
After several years of struggling to get her screenplays produced, Attica Locke decided it was time to go solo. She wrote a novel about something with which she was intimately familiar. And in her first attempt, she has a winner.
Carol I. Hockett looks at the horrors of World War I and the era of artistic upheaval that gave birth to Dada, an anarchical art movement that turned upside down conventional Edwardian ideas of beauty.
Many of us entertain the fantasy of being President of the United States. Historian Robert Dallek reminds us to be careful what we wish for. Even the revered Thomas Jefferson described the presidency as “a splendid misery,” Dallek observes.
If you’re going to write about Winston Churchill – the subject of more history books than almost any other 20th century figure – it’s best to explore a tiny slice of his story. Maybe by looking closely you’ll find something other historians have overlooked.
Philip White has discovered lots of overlooked history in his book Our Supreme Task: How Winston Churchill’s Iron Curtain Speech Defined the Cold War Alliance, which he discusses on Wednesday, March 7, 2012, at 6:30 p.m. at the Central Library.
“When it comes to broad strokes, most everything has already been written about Churchill,” says White, 30, who was born in Dorset in England and now lectures at MidAmerica Nazarene University in Olathe.
“But in my case I narrowed it down to one event – the famous ‘Iron Curtain’ speech he gave in Fulton, Missouri, in March, 1946 – and that opened up lots of possibilities.
From barbecue and fountains to the mafia and racial divides, the entries in our Infinite KC Mapmaking Contest spanned the spectrum of culture, history, and geography.
It was an appropriately diverse spread, in fact, given that the contest’s grand prize is a signed copy of Rebecca Solnit’s colorful and variegated book of maps and essays, Infinite City: A San Francisco Atlas.
When Solnit discusses InfiniteCity tonight at the Central Library at 6:30 p.m., we will present a signed copy of the book and a freshly printed 1911 map of Kansas City from the Gallup Map Co. to the winner of our contest (which we’ll get to in a minute).
Over the past week, we’ve been asking our fans on Facebook and Twitter to use Solnit’s book as a jumping-off point to come up with their own ideas of themed maps of Kansas City. It could be maps featuring favorite haunts of today, ghosts of the past, maps showing KC’s demographic diversity, or … whatever folks could dream up. The guidelines were pretty open.
Politicians seem to love the sound of their own voices. Calvin Coolidge, who became President after the sudden death of Warren Harding in 1923, didn’t have that problem. He made silence a hugely effective tool.