These doors once defined the entry of the First National Bank building built in 1906 on 10th and Baltimore streets and what is now home to the Central Branch of the Kansas City Public Library. Local architects Wilder and Wight designed the building in a neo-classical style with heavy stone masonry and frontal colonnade that complemented the ornate bronze doors. At just over seven feet in height, the doors disguise their weight with intricate design and open space that allow one to essentially see through their structure.

This image is from a page of the April 1929 issue of Aero Digest, a professional periodical covering the aircraft industry. The article focuses on the economy of the growing air transportation industry and Kansas City's potential to be the next "air metropolis". The article shows via a graphic representation that Kansas City's central location within the country gives it an advantage in the industry by being the "hub of vast areas". The image shows small planes radiating out from Kansas City to others all over the country.

This black and white photograph of Kansas City features several of the city's early historic buildings. Bold signs on buildings stand out amongst the structures, most notably marking the Westgate Hotel, the New York Life Building, and the New England Life Building in position to one another across the cityscape. The predominantly brick structures beneath the smoke-stack driven haze of the skyline complete an image of an industrializing city.

This birdhouse was modeled after Victorian architecture with a tight, heightened layout that features a tower, multiple roof lines, gabled windows with window boxes, and a ground level porch. Circular 1 1/4 inch cutouts on the left and right sides of the house provide entry suitable for smaller bird species. The house has a number of other design features particular to its target inhabitants including ventilation sources, non-toxic resin and paint materials, a spacious interior and removable back wall for easy cleaning.

This sculpture is one of a few in the library's collection by an unknown artist with the initials "CCC". Carved from a single piece of wood, this particular sculpture exhibits an impressive command of the wood carving practice. It calls on the cubist style's tendency of depicting fire in rough, prismatic forms that extend upward with an erratic intensity that appears captured and solidified. Each of the faces of these forms bears various carving techniques, altering the depth, width, and frequency of each mark made to comprise a single dynamic piece.

This is one of a few abstract sculptures in the collection by an unknown artist with the initials "CCC". This particular piece is comprised of two parts, each containing a brass post and hole feature that align with the other to hold the piece together. The lower piece keeps much of the original shape of the material with varying gouge marks around the sides and back. The larger top piece displays more thorough manipulation, with planes of gouge marks in various directions and three voids, two circular and one slot-shaped, that reveal open space on the backside of the sculpture.

The artist truly captured the romanticism and vigor of the moment with a stylistic prowess. This scene captures an archer on horseback, richly costumed, wearing a long robed coat, and fur lined hat. The figure holds himself nobly, leaning slightly forward with reins in one hand, controlling his mount masterfully, and casually resting his other hand on his hip while grasping his bow. The artist made a great effort to reflect the armory of the horseman, including finely detailed quivered arrows, and a sheathed sword.

This is a massive Baroque sideboard cabinet bedecked with ornament on the front. The finish is very dark in color and shines with a metal, almost bronze quality. The piece contains two drawers and two cabinets separated by three columnal outcroppings.

This pair of bookends has a deceiving quality as its cast iron (and thus weighty) fabrication is disguised by fauna inspired embellishments. The pieces maintain their dark slate color with silver coloring worn onto the edges of the embellishments. The design rests on a low-profile "L" shape. There is discreet foam matting on the bottom side to protect against placement damage.

Matched set of cast iron ornamental bookends. These classical style bookends feature a green patina, and have an intricate leaf and swirl design. Each pair of the ornamental bookend portions are anchored to a "L" shape black base, and backed by a discreet foam matting for placement protection.

This enlarged reproduction print was a paid political advertisement titled "Bring Downtown BACK!-New Arena Symbolizes New Day for Kansas City" that ran in the August 2nd, 2004 issue of the Kansas City Star. The advertisement notes it was paid for by Citizens for a Downtown Arena, Lee A. Moore, C.P.A., Treasurer. The graphics include a caricature of the downtown landscape which highlights many architectural landmarks such as the Kauffman Center of Performing Arts, River Market area, Sprint Center, Union Station, Western Auto, etc.

The use of bronze became popular in 15th century Europe as a means to bridge ornament in sculpture with a faster rate of reproduction. Artists employed the lost-wax method where wax models of sculpture would be encased by a mold wherein molten bronze would be poured over the wax model and once set the wax would be melted out, leaving a bronze production of the sculpture.

Ilus W. Davis served as the mayor of Kansas City from 1963 to 1971. He was one of the first students to attend the city's university, which would later become the University of Missouri-Kansas City, and later got his law degree from the University of Missouri in Columbia. Some of his major contributions as mayor included the building of the Kansas City International Airport and the initial construction for the Truman Sports Complex. After the assassination of Martin Luther King Jr.

This is a replica of a ceremonial Hsun-ok vessel of Burma (Myanmar) that has been used for centuries to carry offerings to Buddhist monasteries. Historically, the vessel originates from the Pagan region in Burma. The lacquering technique used for this particular vessel applies numerous coats of black lacquer followed by layers of red lacquer over thin strips of bamboo which creates a lightweight vessel ideal for carrying long distances. A beautifully aged patina develops over time as a result of the lacquer process.

Dante Alighieri, born 1265, was one of the greatest Italian poets during the late Middle Ages. Dante Alighieri , commonly known as Dante, was the touchstone for establishing the literature of Italy, and his representations of Hell, Purgatory and Heaven was influential for the larger body of Western art. Dante is best known for his literary classic “The Divine Comedy”, widely considered to be the preeminent work in classic Italian literature. The epic work was completed one year prior to Dante’s death in 1321. This ceramic bust captures a typical representation of Dante Alighieri.

This print of "The Maple Leaf Route" features the rail exchange between Minneapolis, Kansas City, and Chicago with all the included stops between each. The bold print lines on the map imitate the veins of a maple leaf, exhibiting the imagery that inspired the route's name. The bottom of the print mentions W. H. Long as the City Passenger and Ticket Agent of the Des Moines City Office and T. N. Hooper as the Division Freight Agent.

Southhampton Antiques describes this piece as a rare miniature Renaissance Revival Victorian walnut two door bookcase. Although small, it portrays a sense of substantial mass through a heavy base with minimal ornament. The cabinet doors are arched with thick black molding surrounding the original glass. Within the cabinets are two original adjustable shelves that provide a clear display of the inner contents, held safe by the wooden exterior. The novelty of this piece is its size, as it has all the same quality attributes of similar pieces often two times as large.

This is a photograph from behind the bronze statue of Sir Winston Churchill in London's Parliament Square. From this angle the photograph creates the sense that Churchill is stepping past the viewer, leading their gaze to the icon of the Palace of Westminster, Big Ben. Also from this angle, one gets the sense that this statue of Churchill is larger than life, perhaps even larger than Big Ben, clearly expressing its 12-ft height and also the legacy that late Prime Minister left on the UK.

This photograph features City Hall in downtown Kansas City illuminated under an inky night sky. The building is monumental and angular with an unmistakable air of bureaucracy.

The chalk drawing depicted here highlights the spider sculpture by Louise Bourgeois as it stands predominately in front of the Kemper Museum of Contemporary Art. The blue, green, and grey sky offer a soft contrast to the sharp angles of the museum while the legs of the spider seem to echo the sharpness.