To five-year-old Jack, Room is the entire world. It’s where he was born, where he eats and sleeps, and where he plays for hours every day with his beloved Ma. To Ma, Room is an 11-by-11 square-foot prison where she has been confined and sexually abused for the last seven years.
Emma Donoghue’s ninth novel, Room, introduces us to Jack and Ma in a strangely uplifting story of survival, hope, and love. Completely told from the viewpoint of Jack, we learn that Ma was abducted when she was 19 years old by a man they call “Old Nick.” After kidnapping her, he threw her into a windowless, soundproof shed in his backyard and locked the door. Two years into her captivity, and after trying every possible way of escaping, she gave birth to Jack.
If you glance through Room quickly, you might mistake it for a wannabe crime novel copied from today’s headlines. In actuality, Room focuses little on the crimes committed by “Old Nick.” Instead, it intricately examines the lives of Jack and Ma – how Ma protects Jack, and what they do to mentally and physically survive each day. Donoghue herself describes the story as being about, “the essence of confinement and captivity.”