Most Kansas Citians have admired Hare & Hare’s work at one time or another. After all, the landscape architectural firm, now known as Ochsner Hare & Hare, just celebrated its 100th anniversary – a century spent reshaping and beautifying the area’s most iconic landscapes, such as the Country Club Plaza, the Nelson-Atkins Museum of Art, the Liberty Memorial, Loose Park, Sunset Hill, and Mission Hills among them.
When Joe Louis fought in Kansas City on February 17, 1937, Boss Tom Pendergast was in power, jazz was jumping downtown, and black athletes were decades from being accepted as equal to their white counterparts. In fact, some historians believe that Louis' only local fight, against Jewish-American boxer Natie Brown at Municipal Auditorium, was the first interracial sporting event in Missouri history.
Art is subjective. Yet when viewing a work, most of us are quick to formulate opinions that are either positive or negative, for or against. But how often do we stop ourselves in the midst of our own judgment and take time to consider the artist’s own point of view? How often do we try to climb inside their head and ask, “What is it they are trying to say with this piece?”
Many of us may dream about one day waking up, putting on a disguise, and completely walking away from life as we’ve known it. But take a quick second and consider the situation: could you actually do it? Could you throw on a wig and walk out the door without looking back? This is what Holly Hogan does in Solace of the Road by Siobhan Dowd.