As stated on the upper left hand corner of the map, this map illustrates "the plan of the defences of the Western and North-Western Frontier, as proposed by Charles Gratiot, in his report of Oct. 31, 1837." The Frontier is at the western edge of the central Midwestern states: Iowa, Missouri, Arkansas, and Louisiana. The Frontier is further defined by the regions inhabited by various Native American tribes who encountered the US military.
1837 Map of Western and Northern Frontier
1929 Aero Digest Advertisement
This image is from a page of the April 1929 issue of Aero Digest- a professional periodical covering the aircraft industry. The article focuses on the economy of the growing air transportation industry and Kansas City's potential to be the next "air metropolis". The article shows via a graphic representation that Kansas City's central location within the country gives it an advantage in the industry by being the "hub of vast areas". The image shows small planes radiating out from Kansas City to others all over the country.
1940 Liberty Magazine Cover
This reproduction of the September 7th, 1940 Liberty Magazine cover was an ode to Kansas City's booming economy. The Liberty Magazine was a general interest magazine published between 1924 to the end of 1950 and covered stories about politicians, celebrities, authors, and artists. The content provided insight into popular culture and politics. As the poster notes, major changes in Kansas City were afoot with a political "clean-up". In the background of the poster is the old Municipal Stadium located at Brooklyn Avenue and East 22nd Street where the minor league Kansas City Blues played.
A Bird's Eye View of Wyandotte (Small)
This map features a growing section of Wyandotte County in Kansas in 1869. Above the crux of the Kaw and Missouri Rivers lies the beginnings of a grid development across the land beyond. Amongst the dwellings, significant buildings are numbered and referred to in the ornate legend at the bottom of the map. Listed from 1-10 are the Court House, Public School, Dunnings Hall, Asylum for the Blind, U.R.R. W. Depot, Cemetary, and then the Congregational, Catholic, Episcopal, German and South Methodist, and North Methodist Episcopal churches.
A Favourite Hostel
George Wright was a British painter of coaching and hunting scenes. He was the elder brother of Gilbert Scott Wright. Mainly a self-taught artist, he worked with his younger brother until 1925 and during that time their combined work was frequently reproduced on calendars. Wright lived for some time in Rugby and Oxford before moving to Richmond in Surrey in 1929 and later he chose to retire to Seaford in Sussex, where he remained until his death in 1942.
A Tea Garden
George Morland was an English painter born on 26 June 1763 in London. He was best known for his rustic scenes of farming, hunting, smugglers, gypsies and his rich, textured landscapes. Morland's most popular works were painted specifically for the print trade. This scene of a cozy middle-class ease is set in Ranelagh Gardens where the public could take tea after an afternoon's walk. Its companion 'St James's Park' (Mellon collection) shows a similar family drinking the milk that could be bought by promenaders on the Mall.
A Witness to the Light
Corita Kent joined the Order of the Immaculate Heart of Mary in 1936 and became Sister Mary Corita. She spent much of her life working for the church and began making and teaching art in the 1940s. Her serigraph and screen prints became popular in the 1960s and 1970s when she began using popular culture and the backdrop for faith-based themes. In this particular print, Kent uses a popular soda brand, Sunkist, to advance the message "two men called John were sent by God" broken up and encapsulated by two limes. Four lemons line the bottom border.
American Architect & Building News, Oct. 15, 1887, Grace Church, KCMO (1)
This print is an architectural drawing of Grace Church, a Catholic church designed by architectural firm James and James. This drawing was an entry for the 1887 design competition for the church, although the entry chosen was Frederick Elmer Hill's, an architect in the New York firm McKim, Mead & White, and exists in Kansas City on 13th St. Beneath the architect's names in the bottom right-hand corner features the Latin phrase "IN HOC SIGNO VINCES" which translates to "In this sign thou shalt conquer".
American Architect & Building News, Oct. 15, 1887, Grace Church, KCMO (small)
This print is an architectural drawing of Grace Church, a Catholic church designed by architectural firm James and James. This drawing was an entry for the 1887 design competition for the church although the entry chosen was Frederick Elmer Hill's, an architect in the New York firm McKim, Mead & White, and exists in Kansas City on 13th St.
American Architect & Building News-Aug. 21, 1886-Office Building for Nathaniel Thayer, Esq.
A poster print of a building depicted in the American Architect & Building News periodical number 556. This print is a color copy of a pen and ink illustration featuring the office building of Nathaniel Thayer with a copyright date of 1886. This plan drawing features a five story Beaux-Arts style building, each floor contains multiple rows of windows, and the bottom floor appears to be a shop level. The fourth floor contains two arches with three windows apiece. Oriel windows are located on the third and fourth floor above the left entry door.
American Architect & Building News-Nov. 10, 1900-U.S. Post Office, KCK
This print of an architectural drawing depicts the U.S. Post Office in Kansas City, Kansas designed by architects James, Knox, and Taylor. The building type is monumental with massive arched windows and a slight protrusion from the base of the building. The roof is minimized and replaced by a rectangularity uniform to the rest of the building which emphasizes the massive quality. The scene is set before the issue's date, indicated by the dress of the figures and the date on the building, MDCCCI, 1801.
American Architect & Building News-Nov. 29, 1890-Suburban Belt Line Depot KCMO
This cover of the American Architect and Building News periodical features the Suburban Belt Line Depot in Kansas City, Missouri designed by architect H.C. Lindsly. The structure shown was originally rendered in pen, ink and watercolor. The integration of sketched lines, calculated detail and imaginative coloring show off the architectural qualities while also conveying the structure's potential in space. The building was styled in a Victorian/Renaissance Revival style with a series of monumental towers topped by pyramidal roofs.
Amish Country "Sarah"
The print "Amish Country" is of an original painting by the artist of a young Amish girl holding a white cat. She appears uncertain, if not upset, clutching the cat for comfort. Noël's website speaks to the impact of her Amish series with "Sensitive portraits of animals and Amish children made Noel a household name. The intimacy of the Amish children portrayed is not seen in mainstreamed American culture" (nanoel.com/artist). One is reminded of the raw emotional qualities that characterize children everywhere, in every community.
Architectural Drawing of a Gothic Skyscraper
A reproduction print of an architectural pencil sketch of a skyscraper with Gothic features. The drawing was reproduced from the Alfred E. Barnes Jr . Architectural Collection. Artist initials are listed as EMO in the lower right corner of the work. Additional text from the original sketch reads "HOIT PRICE & BARNES ARCHTS" and "Reproduced from the Alfred E. Barnes, Jr. Arcitectural Collection (KC004), Western Historical Manuscript Collection- Kansas City." The print is produced on textured paper.
Architectural Icons of Kansas City (Blue)
Below the blue and yellow printed "Kansas City" across the top of this piece is a synopsis of the city's most notable architectural monuments by 1981. Some are still standing and some have since been demolished, but altogether they compile a history of the city with major monuments enlarged along the border of the print and smaller notations nearer the center. At the center is a pen and ink artist's representation of the city's north-south axis that is flattened with the major monuments branching off of it.
Architectural Icons of Kansas City (Orange)
Below the orange and yellow printed "Kansas City" across the top of this piece is a synopsis of the city's most notable architectural monuments by 1981. Some are still standing and some have since been demolished, but altogether they compile a history of the city with major monuments enlarged along the border of the print and smaller notations nearer the center. At the center is a pen and ink artist's representation of the city's north-south axis that is flattened with the major monuments branching off of it.
Beach and Kite #3
This piece envelops its viewer in a warm and breezy day along a quiet, coastal beach. What appears at first as pleasing striations of blue and yellow with a curious shape up top develop into a beach scene with the familiar kite undulating in the wind. Ironically, the kite looks quite like a royal blue tang (Paracanthurus hepatus), a common marine fish one can imagine being in the water below. Painterly strokes suggest the change in blue hues in the water and sky alike while slashes of yellow and black near the center signify the beach.
Keith Mallett, born on 7 October 1948, is an American multi-disciplined artist. Mallett's is an experienced painter, etcher and ceramic artist. Mallett's subject matter ranges from figurative to still life and abstracts. "Beloved" has all the hallmarks of Mallett's figurative work. Here a mother cradles a child to her bosom, as she gazes down lovingly on her infant. The child is swaddled in a brightly colored floral print, with predominant colors of red, green, orange and yellow. The white background accentuates and defines the figures in the foreground.
Black Iris III
Georgia O'Keefe has been recognized as the "Mother of American Modernism". The iris was favored by O'Keefe and played a key role in her work for many years. In Black Iris III, the representation abstracts the subject matter by enlarging the petals far beyond life size. The medium for the original painting was oil on canvas and is dated 1926.
The Punch Magazine, or London Charavari, was a satirical British weekly magazine established in 1841. This large scale reproduction of the original cartoon depicts a caricature of an American Bull, mapped out into marketable cuts of meat, tossing a British butcher into the air. A knife sharpener and current prices of meat are splayed out around the butcher. Centered at the bottom of the piece are the words "'Bos Americanus;' or Yankee Beef and British Butcher." The work referenced the impact of British reliance on Northern American beef which increased during the 1870s.